| SEER: Simulative Emotional Expression Robot |
|
Japan |
Takayuki Todo |
Art |
AI |
| Captain America: The Winter soldier |
|
United States |
Marvel |
Narrative, Movie |
Body scans, Holograms, Surveillance cameras |
| The Human Detector |
|
Cameroon, France |
Iyo Bisseck |
Art, Installation art |
Facial recognition, Machine learning |
| What the Robot Saw |
|
United States |
Amy Alexander |
Art, Online art |
Machine learning |
| (e)motion |
|
Denmark, Netherlands, Germany |
Barbara Nordhjem, Otten Bert, Jan Klug |
Art, Installation art |
|
| (In)Security Camera |
|
Peru, United States, Russia |
Silvia Ruzanka, Ben Chang, Dmitry Strakovsky |
Art, Installation art |
|
| ... som duften av en drøm... |
|
Norway |
Bjarne Benjaminsen |
Narrative, Novel |
AI, Drones, Facial recognition, Holograms, Image generation, Non-Visible Spectrum, Surveillance cameras, Virtual reality |
| 10.000 Moving Cities – Same but Different, VR |
|
Switzerland |
Marc Lee |
Art, Installation art |
Cameraphone, Webcams |
| 15 minutes of biometric fame |
|
Netherlands |
Marnix de Nijs |
Art, Installation art |
|
| 17 Cities |
|
Canada, Netherlands, Germany |
Michelle Teran |
Art, Video art |
|
| 2.0 (2018) |
|
India |
Shankar Shanmugam |
Narrative, Movie |
AI, Augmented reality, Biometrics, Camera, Cameraphone, Emotion recognition, Holograms, Non-Visible Spectrum, Satellite images |
| 2001: A Space Odyssey (novel and film) |
|
United Kingdom, United States |
Arthur Charles Clarke, Stanley Kubrick |
Narrative, Movie, Novel |
AI, Body scans, Camera, MicroscopeOrTelescope, Non-Visible Spectrum, Surveillance cameras |
| 2033: La Ilusión de un Futuro Mejor |
|
Mexico |
Francisco Laresgoiti |
Narrative, Movie |
Biometrics, MicroscopeOrTelescope, Non-Visible Spectrum, Object recognition, Surveillance cameras |
| 3% |
|
Brazil |
Pedro Aguilera |
Narrative, TV series or episode |
Emotion recognition, Facial recognition, Motion tracking, Object recognition, Satellite images, Surveillance cameras |
| 3x3x6 |
|
Taiwan |
Shu Lea Cheang |
Art, Video art, Installation art |
AI, Biometrics, Body scans, Facial recognition, Motion tracking, Surveillance cameras |
| 79530 Self Portraits |
|
Germany |
Mario Klingemann |
Art, Video art |
|
| >observer_ |
|
Poland |
Bloober Team |
Game |
Augmented reality, Biometrics, Body scans, Holograms, Non-Visible Spectrum, Object recognition |
| A Closed and Common Orbit |
|
United States |
Becky Chambers |
Narrative, Novel |
AI, Surveillance cameras, UGV |
| A Date in 2025 |
|
United States |
Ryan Turner |
Narrative, Movie |
AI, Virtual reality |
| A Disappeared Movement |
|
China |
Yufeng Deng |
Art, Performance art |
Motion tracking, Surveillance cameras |
| A Hipster Bar |
|
United Kingdom, Netherlands |
Max Dovey |
Art, Installation art |
|
| A Memory Called Empire |
|
United States |
Arkady Martine |
Narrative, Novel |
AI, Biometrics, Drones, Holograms, Ocular implant |
| A Scanner Darkly |
|
United States |
Richard Linklater |
Narrative, Movie |
Body scans, Facial recognition, Holograms, Motion tracking, Object recognition, Satellite images, Surveillance cameras |
| A Song for a New Day |
|
United States |
Sarah Pinsker |
Narrative, Novel |
Facial recognition, Surveillance cameras, Virtual reality |
| A View to a Kill |
|
United Kingdom |
John Glen |
Narrative, Movie |
Camera, Facial recognition |
