| A Date in 2025 |
|
United States |
Ryan Turner |
Narrative, Movie |
AI, Virtual reality |
| And Shall Machines Surrender |
|
Thailand |
Benjanun Sriduangkaew |
Narrative, Novel |
AI, Ocular implant |
| This Time Away |
|
United Kingdom |
Magali Barbe |
Narrative, Online video |
AI, Camera, Surveillance cameras |
| Change Return |
|
United Kingdom |
Robert Findlay |
Narrative, Online video |
AI, Camera, Drones, Object recognition, Surveillance cameras |
| Utbryterne |
|
Norway |
Nina Borge |
Narrative, Novel |
Drones, Holograms, Image generation, Surveillance cameras |
| Stellar |
|
United States |
Incubus |
Narrative, Music video |
MicroscopeOrTelescope, Satellite images |
| Dystopia |
|
United States |
Megadeath |
Narrative, Music video |
Drones |
| Satellite Reign |
|
Australia |
5 Lives Studios |
Game |
Drones, Facial recognition, Holograms, Satellite images, Surveillance cameras |
| She-Ra and the Princess of Power |
|
United States |
Noelle Stevenson |
Narrative, TV series or episode |
AI, Body scans, Holograms, Machine learning, Motion tracking, Surveillance cameras, Virtual reality |
| A Scanner Darkly |
|
United States |
Richard Linklater |
Narrative, Movie |
Body scans, Facial recognition, Holograms, Motion tracking, Object recognition, Satellite images, Surveillance cameras |
| Superintelligence |
|
United States |
Ben Falcone |
Narrative, Movie |
AI, Cameraphone, Motion tracking, Satellite images, Surveillance cameras, Webcams |
| The Midnight Sky |
|
United States |
George Clooney |
Narrative, Movie |
Biometrics, Camera, Holograms, Satellite images |
| FlĂĄklypa Grand Prix |
|
Norway |
Ivo Caprino |
Narrative, Movie |
Non-Visible Spectrum |
| The Invisible Man |
|
United States, Australia |
Leigh Whannell |
Narrative, Movie |
Camera, Image generation, Surveillance cameras, Webcams |
| Isle of Dogs |
|
United States |
Wes Anderson |
Narrative, Movie |
Drones |
| STET |
|
United States |
Sarah Gailey |
Narrative, Short story |
Machine learning, Object recognition, UGV |
| The Social Dilemma |
|
United States |
Jeff Orlowski |
Narrative, Movie |
AI, Augmented reality, Cameraphone, Holograms, Machine learning, Virtual reality |
| Bouvetøya 2052 |
|
Norway |
Lars Mæhle |
Narrative, Novel |
Holograms, Virtual reality |
| The Mandalorian |
|
United States |
Jon Favreau |
Narrative, TV series or episode |
Facial recognition, Holograms, Non-Visible Spectrum |
| Cyberpunk 2077 |
|
Poland |
CD Projekt RED |
Game |
AI, Augmented reality, Biometrics, Body scans, Drones, Facial recognition, Holograms, Non-Visible Spectrum, Ocular implant, Surveillance cameras, UGV, Virtual reality |
| The Last Human |
|
United States |
Lee Bacon |
Narrative, Novel |
AI, Emotion recognition, Machine learning, Object recognition |
| Too Much |
|
United States, Kazakhstan |
Marshmello, Imanbek Zeikenov, Usher Raymond IV |
Narrative, Music video |
Augmented reality, Holograms, Virtual reality |
| My Holo Love |
|
South Korea |
Lee Sang-Yeob |
Narrative, TV series or episode |
AI, Biometrics, Emotion recognition, Facial recognition, Holograms, Surveillance cameras |
| His Dark Materials |
|
United Kingdom, United States |
Jack Thorne |
Narrative, TV series or episode |
Image generation |
| The Expanse |
|
United States |
James S.A. Corey, Naren Shankar |
Narrative, TV series or episode |
AI, Augmented reality, Body scans, Holograms, Ocular implant, Satellite images, Surveillance cameras |
